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Summer Art Preparation for Year 7 CIE | Year 7 CIE 艺术暑期预习与衔接课程

2026-07-16 18:35 · 本文部分内容由AI辅助创作

📚 Summer Art Preparation for Year 7 CIE | Year 7 CIE 艺术暑期预习与衔接课程

Starting secondary school art can feel both exciting and a little daunting. This summer bridging guide will help you step into Year 7 CIE Art & Design with confidence, covering everything from setting up your sketchbook to developing your first creative ideas. No prior experience is needed – just a willingness to look, imagine and experiment.

进入中学阶段的艺术学习既令人兴奋,又可能让人有些忐忑。这份暑期衔接指南将帮助你自信地迈入 Year 7 CIE 艺术与设计课程,内容涵盖从建立速写本到初次创意构思的方方面面。你不需要任何基础——只需要愿意观察、想象和尝试。


1. Why Study Art? | 为什么要学习艺术?

Art is not just about making pretty pictures. It is a way of observing the world more carefully, expressing ideas that words cannot capture, and solving problems creatively. In the CIE curriculum, you will explore drawing, painting, printmaking, sculpture and digital media, building skills that also support your learning in science, history and design technology. Art teaches you to take risks, learn from mistakes and see possibilities where others see only blank paper.

艺术不仅仅是画出漂亮的图画。它是一种更细致地观察世界的方式,是表达语言难以捕捉的想法,也是创造性地解决问题。在 CIE 课程中,你将探索素描、绘画、版画、雕塑和数字媒体,所培养的技能同时也会促进你在科学、历史和设计技术等学科的学习。艺术教会你勇于尝试、从错误中学习,并在别人只看到白纸的地方发现可能性。


2. Your Summer Art Kit | 暑期艺术工具准备

You do not need expensive materials to begin. A simple toolkit for summer practice can include: an A4 sketchbook (preferably with cartridge paper), a set of graphite pencils (HB, 2B, 4B, 6B), an eraser and a sharpener, a small box of coloured pencils or watercolours, a black fine-liner pen, and a glue stick. Keep everything in a zip pouch so you can sketch anywhere – at home, in the park or while travelling.

开始练习并不需要昂贵的材料。暑期练习的简单工具包可以包括:一本 A4 速写本(最好是绘图纸材质)、一套石墨铅笔(HB、2B、4B、6B)、一块橡皮和一个卷笔刀、一小盒彩色铅笔或水彩颜料、一支黑色针管笔,以及一支胶棒。把所有工具装进一个拉链袋里,这样你就可以随时随地进行速写——在家、在公园或旅行途中。


3. Observational Drawing: Seeing Like an Artist | 观察绘画:像艺术家一样观察

Many beginners draw what they think they see, not what is actually there. Train your eyes by choosing a simple everyday object – a fruit, a shoe, a mug – and study it for a full three minutes before you touch pencil to paper. Notice its edges, the way light falls, the subtle curves. Then draw it slowly, connecting your hand directly to your eye, looking at the object more than at your page. This is called 'blind contour drawing' and it builds genuine observational skill.

许多初学者画的是他们认为自己看到的东西,而非实际所见。训练你的眼睛:选择一个简单的日常物品——水果、鞋子、杯子——并在动笔前整整观察三分钟。注意它的边缘、光线的落点、微妙的曲线。然后慢慢画下来,让你的手直接跟随眼睛,看物品的时间要远远多于看画面。这种练习叫做'盲轮廓绘画',能真正建立起观察能力。


4. The Language of Line and Shape | 线条与形状的语言

Every drawing is built from lines and shapes. Experiment with different types of line: thick, thin, wobbly, dashed, confident and hesitant. Try drawing the same object using only straight lines, then only curved lines. Notice how shapes can be geometric (circles, squares, triangles) or organic (freeform, like clouds or leaves). In your sketchbook, fill a page with as many different shapes as you can invent, overlapping them to create new forms.

每一幅画都由线条和形状构成。尝试用不同类型的线条:粗的、细的、抖动的、虚线的、自信的和犹豫的。试试只用直线画同一个物体,然后再只用曲线去画。你会注意到形状可以是几何的(圆形、正方形、三角形),也可以是有机的(自由形状,如云朵或叶子)。在你的速写本里,用你能发明的各种形状画满一页,让它们互相重叠,创造新的形态。


5. Tone and Texture: Making Art Feel Real | 色调与质感:让画面更有真实感

Tone describes how light or dark something is. Without tone, drawings look flat. Create a tonal scale in your sketchbook: a strip of six rectangles, leaving the first white and progressively darkening the last to the deepest black your pencil can make. Practise shading a simple sphere, imagining light from one side. Texture is about surface quality – rough, smooth, furry, shiny. Collect rubbings from surfaces around your home (bark, fabric, coins) and try to imitate textures with pencil marks.

色调指的是物体的明暗程度。没有色调,画面就会显得平面化。在你的速写本里制作一个色调阶梯:画一排六个长方形,第一个留白,最后一个用铅笔涂到你最深沉的黑色,中间逐步过渡。练习给一个简单的球体上调子,想象光线来自某一侧。质感则关乎表面触感——粗糙、光滑、毛茸茸、亮闪闪。从家中各种表面(树皮、织物、硬币)采集拓印,并尝试用铅笔笔触模仿这些纹理。


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6. Colour Theory Basics | 色彩理论基础

Understanding colour helps you use it with confidence. The primary colours are red, yellow and blue. Mixing two primary colours gives secondary colours: orange, green and purple. Try making a colour wheel in your sketchbook with paints or pencils. Warm colours (reds, oranges, yellows) seem to come forward, while cool colours (blues, greens, purples) recede. Complementary colours, opposite each other on the wheel (like red and green), create vibrant contrast when placed side by side.

理解色彩能让你充满信心地使用它。三原色是红、黄、蓝。将两种原色混合会得到二次色:橙色、绿色和紫色。试着用颜料或彩铅在速写本上画一个色环。暖色(红色、橙色、黄色)看起来会向前跳跃,而冷色(蓝色、绿色、紫色)则向后退。互补色在色环上彼此相对(如红和绿),放置在一起时会产生鲜明的对比。

Primary Colours 原色Red / Yellow / Blue
Secondary Colours 二次色Orange (Red+Yellow) / Green (Blue+Yellow) / Purple (Red+Blue)
Complementary Pairs 互补对Red & Green / Blue & Orange / Yellow & Purple

7. Generating Creative Ideas | 激发创意灵感

A blank page can be intimidating. Use simple strategies to unlock ideas. Start with a 'mind map': write a theme like 'My Summer' or 'Inside My Bag' in the centre of a page, then branch out with words, symbols and tiny sketches. Keep a 'found images' envelope where you collect magazine cuttings, ticket stubs, textured papers. Another technique is 'exquisite corpse': fold a paper into thirds, draw a head on the top section, fold it to hide your drawing, pass to a friend to draw a body, then a third person draws legs. Unfold for a wonderfully strange collaborative creature.

面对白纸可能会让人无从下手。用一些简单策略来打开思路。从制作'思维导图'开始:在白纸中央写下一个主题,如'我的夏天'或'书包里的世界',然后以词汇、符号和小草图向四周发散。准备一个'收集图像'的信封,把杂志剪报、票根、纹理纸张都收进去。另一种技巧叫'精美僵尸':把一张纸折成三部分,在最上部分画一个头,折叠隐藏起来,传给朋友画身体,再传给第三个人画腿。展开后你会得到一个奇妙又古怪的合作生物。


8. Experimenting with Mixed Media | 尝试混合媒介

Art becomes adventurous when you combine materials. On a spare page, layer watercolour washes with crayon or oil pastel – the wax resists the paint, creating magical effects. Tear coloured papers and collage them into a landscape. Draw with a stick dipped in ink, or use a twig to scratch into wet paint. These experiments teach you that art has no fixed rules, and 'mistakes' often lead to the most interesting discoveries. Document every test in your sketchbook, adding notes about what worked and what surprised you.

当你把不同材料组合在一起时,艺术就变得充满奇遇。在一张练习纸上,先用水彩打底,再覆盖蜡笔或油画棒——蜡的防水性会让水彩退缩,产生神奇的效果。撕一些彩色纸片,拼贴出一片风景。用蘸墨水的树枝作画,或者用细棍子在未干的颜料上刮出线条。这些实验会告诉你,艺术没有固定的规则,'错误'往往会带来最有趣的发现。把每一次测试都记录在速写本上,并写下什么奏效了、什么让你惊喜。


9. Looking at Artists: Building a Visual Vocabulary | 走进艺术家:构建视觉词汇

Your art education will regularly ask you to look at the work of others – not to copy, but to learn. Choose one or two artists to explore this summer. A good starting point could be Henri Matisse for bold colour and cut-outs, or Georgia O'Keeffe for close-up natural forms. Stick a small reproduction in your sketchbook and write two sentences in response: what you notice and what you wonder. This simple habit prepares you for the 'artist reference' element of CIE projects.

你的艺术学习会经常要求你观看他人的作品——不是为了复制,而是为了学习。今年夏天选择一两位艺术家进行探索。可以从亨利·马蒂斯的大胆色彩与剪贴作品入手,或者研究乔治亚·欧姬芙的自然形态特写。在速写本里贴上一张小印刷品,然后写出两句话作为回应:你注意到了什么,以及你想知道什么。这个简单的习惯会为你今后完成 CIE 项目中'艺术家参考'的部分做好准备。


10. Building a Daily Creative Habit | 培养每日创作习惯

Consistency matters more than perfection. Aim for ten minutes of sketchbook work each day rather than a long session once a week. Draw your breakfast, the view from your window, your own hand in different poses. Date every page – this shows progress over time and is excellent evidence for your CIE portfolio. Remember that your sketchbook is a private space for thinking through your pencil; it does not need to be beautiful. The greatest artists fill countless sketchbooks with half-formed ideas, visual notes and joyful accidents.

坚持比完美更重要。每天抽十分钟做速写本练习,而不是每周一次长时间画几小时。画你的早餐、窗外的景色、你自己不同姿势的手。给每一页都标上日期——这不仅记录了进步,也是你 CIE 作品集的绝佳素材。记住,速写本是你用铅笔思考的私人空间,它不需要漂亮。最伟大的艺术家们都在无数速写本里画满了半成品想法、视觉笔记和快乐的意外。

Published by TutorHao | Art Revision Series | aleveler.com

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